Sentimental Sentimentality 2006~

關於部落格
"Here is the world without conversion/ news, or new report to happenings/ No infant happily giggling born/ Unbearable or honorable dying"
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Speechless UK Tour

This is my third time to visit UK since 1997, few days ago when i finally got a free night walking around Charing Cross area, and return those bar i used to go, i met certain realizaion about this 10 years.
http://www.londonbookfair.co.uk/page.cfm/link=286
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我的第三本詩集!12/26正式發表

<img src="http://pics16.blog.yam.com/2/userfile/y/yenboyliu/blog/1494d004dafc32.jpg" alt="" style="border-width: 0; float: left; margin: 0.7em 1.4em 0.7em 0;" />
<img src="http://pics16.blog.yam.com/2/userfile/y/yenboyliu/blog/1494d0061de1c2.jpg" alt="" style="border-width: 0; float: left; margin: 0.7em 1.4em 0.7em 0;" />
劉亮延第三本詩集《牡丹刑》下週出版!
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青春感傷的睪丸(一段寺山修司的詩)

這是貂皮瑪莉(La Marie-Vison),1968年寺山修司為美輪明宏量身打造的舞台劇,劇中一段詩歌朗誦,剛剛翻譯出來,就想趕快貼上來~最近拼了命再趕幾個劇本譯稿,翻的驚心動魄心情沈重很有啟發。劇本就要出版囉!
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Ordeal on Peony(pp.1-2)

"Ordeal on Peony" is a narrative poem divided by no sections but stanzas in 15 pages , which is firstly written in Chinese with fragments and tempered in English purposely. The text deal with Liu’s identity adventure inspired from Edo Kabuki dance repertoire "musume Dojoji" during his trip granted by the prestigious Taiwanese modern dance troupe "CloudGate" in late 2005. For the first time, Liu realizes from sensual contingency with Japanese ethos to his being nowhere Taiwan in the post cold war Asia genealogy. "Who is chasing in the bamboo forest, and what one hear? Is it a fear, a scar or something related to accuse. Listen! Peony withers, it melts with tremendous evil gesture, and may I not torture them by my grudge?" This is a lyrical but politically aggressive voice from a Taiwanese young poet, and is designed to read during the British Council Speechless project 2008.
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評 &lt;紅鬼 青鬼&gt;

而< 紅鬼 青鬼>竟然可以不以取悅觀眾為目的,但是卻讓我們發現他朝向可愛、天真、世故種種思考而去的意向性。不但自由地越出界線,還優雅又恰當地回頭對云云兒童劇眾生迷人地召喚。
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從書寫到言說:我、客家與劉三妹

non-love is truth
and everything lies in the absence of love
nothing exists which does not lie
(Georges Bataille, 1897-1962)
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寺山修司的幾個問題

「寺山如何同時擾動某個已然的「內」(真實生活),但又可以拒絕應然的「內」(內的再現),這種雙重否認,又以一種張牙舞爪的「外」的符號(賤民、殘障)向觀眾顯現,難道這就是「神話」嗎?」劉亮延,2007
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暗黑舞踏對我們意味著什麼?

「當台灣人要展演自己的身體,或許這些由模稜兩可、似是而非所構成的麻煩,不僅可怖,更有可能生出一條回家的方向,甚至就是「我們」闇夜的感覺領域。」劉亮延,2007
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在缺陷表演與觀眾拒絕之間—我的花痴劇場

「因為,時間不是我的,我無法掌握世界自我四面八方流動,情緒與痛苦亦只是經過我,經過而已。」劉亮延,2006
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